December 5, 2014 § Leave a comment
Outward Manifestations of Memory Too Subtle To Be Consciously Perceived No.⑥ : Hovers Just There [out of frame] In A Red Space A Reflection or A Sound or A Tiny Wind Fading Into The Pixelation of Resolution: Distracts The Senses, While The Real Processing Is Carried Out Within Subtler Layers of Memory : Brooklyn; Woman : Paris, [Texas].
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November 12, 2013 § Leave a comment
The Word Is My Fourth Dimension No. ① or A Space Epistemologist’ Inward Mission of Discovery: Contemplating The Odyssey and The Entropy Inherent In Realizing One’s Dreams Closer To The Points of Actualization, Seattle Wa.
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February 13, 2013 § 3 Comments
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Cinema As Thought or In The Space Waiting Generates, Broadway Ave. Capital Hill, Seattle Wa.
February 12, 2013 § Leave a comment
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From The Archetypal Anecdotal Artifacts of Now project.
[The] Wages of Fear No.⑤ : A Film Still Appropriation Becomes A Catalyst For A Rumination Upon Accepting What’s Lost In A Child’s Childhood Expected, Restored Like A Deleted Scene(s) On A CC DVD, Little Salem Co. or Rosebud, A Winter’s Bone Remembered, Eliding Winters Memories, As A Snowfall, And Artificial Flakes In A Glass Globe Almost Still Endlessly, Brooklyn NY
from Open Your Oaths
September 4, 2011 § Leave a comment
Pigeon Over The Hudson Rail Yards Hell's Kitchen, New York
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http://photographybooknow.blurb.com/ http://photographybooknow.blurb.com/2011/honorable_mentions https://dogonpremise.wordpress.com/projects/digital-catalogue-narrative/east/open-your-oaths-videobook-ver-2-0/
April 14, 2011 § Leave a comment
a short story
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Monkey Shines
a multi-media version of the book.
December 10, 2010 § Leave a comment
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Cinema History, Under The Overpass Ginza, Tokyo Japan
Open Your Oaths [videobook] ver.2.0
September 17, 2010 § Leave a comment
andrewhirodogrøb2010©
A multi-media presentation of the photobook.
All these images are shot in b+w and where made primarily in New York, but also Boston, Chicago, Miami, Milwaukee, Pittsburgh, Seattle, Tokyo and Wenatchee and in the last 18 months–mostly.
While viewing the multi-media versions of these books one must imagine that one is in a dark communal space, and the projected images are on a large screen with the volume either high and clear or lo-fi mixed with ambient sounds of the venue. or if you are within the wonderworld of headphones, imagine it is you walking these streets thru these places and hearing all these things; and in the case of this piece in particular, due to the soundtracks nearly constant subterranean bass rumble and thrum which acts as a link to all these places in mood and tempo as a underground river system unseen and constant.
